91����

Capturing Music: Material Culture and Changing Notations in Medieval Music

Frames Within Frames: Intimacy through Visual Exchange 

Hands ON! Experiencing Art through Touch

Mountains and Water: Traditions in East Asian Art

Opening reception: 5–7 pm, Thursday, September 3

Mountains and water are at the heart of East Asian arts and culture. They form an essential framework for engaging with the natural world and understanding people’s place within it. This exhibition explores the wide-ranging significance, symbolism, and sacrality of mountains and water in China, Korea, and Japan. It considers landscapes and scholar’s stones as both scholastic objects of aesthetic consideration and supernatural sites of cosmic power.

Generous support and donations for this exhibition were provided by John C. Copoulos ’73.

All events are free and open to the public.

Common Ground Reading

Friday, September 18, 6-7:30pm, Alumni Lounge, Old O’Connor Hall

Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Vincent Grenier Retrospective (Vincent Grenier, various years, total run time approximately 87 mins)

September 25 & 27

Former 91���� Cinema professor Vincent Grenier (1948-2023) left an indelible imprint on his students, colleagues, and artistic communities in NYC, Montreal, Ithaca, and 91����. With a background in painting, Grenier began to make films in the early ‘70s in San Francisco, where he worked as the programmer for Canyon Cinema. He developed a unique personal cinema that combined a sense of rigor and play, dedicating himself to nuanced, painterly studies of color and light, explorations of the picture plane and screen, and remarkably sensitive portrait studies. Grenier was fascinated by visual ambiguities, which he explored persistently and poetically, in 16 mm film and digital video, from the early 1970s until his death in 2023. The films that he left behind make ordinary objects strange to vision, often hovering between abstraction and representation. A frequent contributor to the NYC and Montreal art scenes of the 70’s and 80’s, Grenier's experimental films and videos have earned numerous awards, and retrospectives of his works have screened on many continents. He received a Guggenheim Foundation Fellowship in 2010 and the Stan Brakhage Vision Award in 2019. 

Light Shaft, 1975, 6:20 (16mm transferred to digital)

Interieur Interiors: To A. K., 1978, 15 mins (16mm)

Tremors, 1984, 13 min. (16mm; color, sound)

Time’s Wake (Once Removed), 1978/1988, 14 mins (16mm)

Out in the Garden, 1991, 14:20 min (16 mm, color, sound)

Surface Tension #2, 1995, 4:30 min. (16 mm, color, sound)

Tabula Rasa, 2003, 7 mins (16mm transferred to HD, color, sound)

Watercolor, 2013, 12:15 min. (Video HD)

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Vincent Grenier Retrospective (Vincent Grenier, various years, total run time approximately 87 mins)

September 25 & 27

Former 91���� Cinema professor Vincent Grenier (1948-2023) left an indelible imprint on his students, colleagues, and artistic communities in NYC, Montreal, Ithaca, and 91����. With a background in painting, Grenier began to make films in the early ‘70s in San Francisco, where he worked as the programmer for Canyon Cinema. He developed a unique personal cinema that combined a sense of rigor and play, dedicating himself to nuanced, painterly studies of color and light, explorations of the picture plane and screen, and remarkably sensitive portrait studies. Grenier was fascinated by visual ambiguities, which he explored persistently and poetically, in 16 mm film and digital video, from the early 1970s until his death in 2023. The films that he left behind make ordinary objects strange to vision, often hovering between abstraction and representation. A frequent contributor to the NYC and Montreal art scenes of the 70’s and 80’s, Grenier's experimental films and videos have earned numerous awards, and retrospectives of his works have screened on many continents. He received a Guggenheim Foundation Fellowship in 2010 and the Stan Brakhage Vision Award in 2019. 

Light Shaft, 1975, 6:20 (16mm transferred to digital)

Interieur Interiors: To A. K., 1978, 15 mins (16mm)

Tremors, 1984, 13 min. (16mm; color, sound)

Time’s Wake (Once Removed), 1978/1988, 14 mins (16mm)

Out in the Garden, 1991, 14:20 min (16 mm, color, sound)

Surface Tension #2, 1995, 4:30 min. (16 mm, color, sound)

Tabula Rasa, 2003, 7 mins (16mm transferred to HD, color, sound)

Watercolor, 2013, 12:15 min. (Video HD)

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Barbara Forever (Byrdie O’Connor, 2026, 101 mins)

October 2 & 4

BARBARA FOREVER is an expansive, immersive exploration of the life, work, and ongoing
cultural impact of filmmaker Barbara Hammer – a pioneering artist who lived boldly, created urgently, and transformed cinema through her singular vision. Her films were an extension of herself: sensual, experimental, and unapologetically lesbian, rooted in a profound desire for connection and an insistence on telling her own story. Driven by her canon of over eighty films, a vast collection of unreleased archival materials, and extensive audio interviews, Brydie O’Connor’s portrait allows for Hammer’s voice and images to shine through, becoming both a tribute and an extension of her legacy.

If we're experimenting with our lives and the way we're going to live, our film and our art should also be experimental. It breaks tradition, and makes you think in a broader way. It's the way I experience the world.

– Barbara Hammer

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Barbara Forever (Byrdie O’Connor, 2026, 101 mins)

October 2 & 4

BARBARA FOREVER is an expansive, immersive exploration of the life, work, and ongoing
cultural impact of filmmaker Barbara Hammer – a pioneering artist who lived boldly, created urgently, and transformed cinema through her singular vision. Her films were an extension of herself: sensual, experimental, and unapologetically lesbian, rooted in a profound desire for connection and an insistence on telling her own story. Driven by her canon of over eighty films, a vast collection of unreleased archival materials, and extensive audio interviews, Brydie O’Connor’s portrait allows for Hammer’s voice and images to shine through, becoming both a tribute and an extension of her legacy.

If we're experimenting with our lives and the way we're going to live, our film and our art should also be experimental. It breaks tradition, and makes you think in a broader way. It's the way I experience the world.

– Barbara Hammer

Common Ground Reading

Friday, October 23, 6-7:30pm, Alumni Lounge, Old O’Connor Hall

Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.

Friday, October 23, 2026
Osterhout Concert Theater
Doors: 7 p.m.
Show: 7:30 p.m.

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Experience a vibrant world where ancestral African traditions meet breathtaking cori'temporary circus. Through powerful storytelling, live music, dance, and extraordinary acrobatics, Cirque Kalabante explores how gesture, rhythm, and movement can transcend language, erase boundaries, and unite cultures.

Imagine a stage where ancestral African wisdom captivates the audience. Separated by a symbolic line, one group shares its knowledge through powerful storytelling, hypnotic songs, and ritual initiation, while the other listens and learns—sometimes with fear, sometimes with resistance.

The exchange begins with spoken language as an obstacle, but the universal forces of gesture, rhythm, and sound quickly overcome it. The set and its ropes become a language of their own: double Dutch skipping, bungee straps, and rope-based contortion become pathways of communication, pulsing with dialogue. Three guiding figures—Trust, Respect, and Wisdom—lead the journey. 

Through acrobatic contact and moments of mutual support, the dividing line fades. Bodies merge, blending tradition with contemporary movement. The finale culminates in a powerful choreography of unity and collective awakening, transforming the journey itself into a revelation. 

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Tycoon (Charlotte Zhang, 2025, 89 minutes)

October 30 & November 1

Los Angeles on the cusp of the 2028 Summer Olympics: a series of devastating livestock viruses have wiped out meat and poultry production across the nation, leaving genetically-modified cockroaches the most viable alternative. Meanwhile, a cockroach infestation of biblical proportions overwhelms the city, triggering a rash of eminent domain abuses. Two young grifters dream up their next big score in a paranoid landscape perpetually reshaped by the collapse between legitimized and illegitimate forms of celebration and theft.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Tycoon (Charlotte Zhang, 2025, 89 minutes)

October 30 & November 1

Los Angeles on the cusp of the 2028 Summer Olympics: a series of devastating livestock viruses have wiped out meat and poultry production across the nation, leaving genetically-modified cockroaches the most viable alternative. Meanwhile, a cockroach infestation of biblical proportions overwhelms the city, triggering a rash of eminent domain abuses. Two young grifters dream up their next big score in a paranoid landscape perpetually reshaped by the collapse between legitimized and illegitimate forms of celebration and theft.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

MOM (Mamá) (Xun Sero, 2022, 80 mins)

November 6 & 8

As a Mexican Tzotzil I grew up between the sacrality both of Guadalupe Virgin and

Mother Earth. As a son, I grew up among the derision of not having a father and

blaming my mother for it. ‘Mom’ is a dialogue between mother and son exploring

their contradictions, knowing and recognizing each other, and reflecting on

naturalized violence and its reproduction.

BIOGRAPHY OF THE DIRECTOR

Xun Sero is a Maya-Tsotsil filmmaker, born in Chiapas, Mexico. He began his work

in documentary filmmaking by chronicling events related to the struggle of

indigenous peoples in Chiapas. He tries to develop the true cultural heritage of the

characters and to avoid clichés about indigenous peoples. He currently works as a

cinematographer. "Mom", his directorial debut, was selected at Hot Docs, IDFA and

FIC Guadalajara, as well as more than 60 festivals, winning 20 awards. In 2022

Variety magazine considered "Mom" as “one of the 10 Mexican films that contribute

to diversity and giving voice to that diversity”.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

MOM (Mamá) (Xun Sero, 2022, 80 mins)

November 6 & 8

As a Mexican Tzotzil I grew up between the sacrality both of Guadalupe Virgin and

Mother Earth. As a son, I grew up among the derision of not having a father and

blaming my mother for it. ‘Mom’ is a dialogue between mother and son exploring

their contradictions, knowing and recognizing each other, and reflecting on

naturalized violence and its reproduction.

BIOGRAPHY OF THE DIRECTOR

Xun Sero is a Maya-Tsotsil filmmaker, born in Chiapas, Mexico. He began his work

in documentary filmmaking by chronicling events related to the struggle of

indigenous peoples in Chiapas. He tries to develop the true cultural heritage of the

characters and to avoid clichés about indigenous peoples. He currently works as a

cinematographer. "Mom", his directorial debut, was selected at Hot Docs, IDFA and

FIC Guadalajara, as well as more than 60 festivals, winning 20 awards. In 2022

Variety magazine considered "Mom" as “one of the 10 Mexican films that contribute

to diversity and giving voice to that diversity”.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Gandahar (René Laloux, 1987, 83 mins)

November 13 & 15

An entire civilization must confront its destiny in alternative-animation pioneer René Laloux’s final feature, a cult classic of mind-bending science fiction. In a distant world, a merciless army of automata attacks Gandahar, turning its peace-loving people to stone. Hoping to discover the source of these Men of Metal, a council of matriarchs enlists the brave yet inexperienced warrior Sylvain (Pierre-Marie Escourro), who, while journeying through his planet’s outer regions, teams up with the Deformed, a race cast out from Gandahar after failed science experiments rendered them mutants. Soon, Sylvain learns that a gargantuan brain called Metamorphis (Georges Wilson) is responsible for his utopian society’s strife and—together with the beautiful Airelle (Catherine Chevallier)—travels through time to defeat him, in the process risking their lives and Gandahar’s very existence. Featuring stunningly surreal creatures and wondrously bizarre environments designed by renowned comic-book artist Caza, Gandahar is a visceral, visionary head-trip in which animation opens a gateway to the furthest reaches of the imagination.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

Gandahar (René Laloux, 1987, 83 mins)

November 13 & 15

An entire civilization must confront its destiny in alternative-animation pioneer René Laloux’s final feature, a cult classic of mind-bending science fiction. In a distant world, a merciless army of automata attacks Gandahar, turning its peace-loving people to stone. Hoping to discover the source of these Men of Metal, a council of matriarchs enlists the brave yet inexperienced warrior Sylvain (Pierre-Marie Escourro), who, while journeying through his planet’s outer regions, teams up with the Deformed, a race cast out from Gandahar after failed science experiments rendered them mutants. Soon, Sylvain learns that a gargantuan brain called Metamorphis (Georges Wilson) is responsible for his utopian society’s strife and—together with the beautiful Airelle (Catherine Chevallier)—travels through time to defeat him, in the process risking their lives and Gandahar’s very existence. Featuring stunningly surreal creatures and wondrously bizarre environments designed by renowned comic-book artist Caza, Gandahar is a visceral, visionary head-trip in which animation opens a gateway to the furthest reaches of the imagination.

Common Ground Reading

Friday, November 20, 6-7:30pm, Alumni Lounge, Old O’Connor Hall

Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

BLKNWS: Terms and Conditions (Kahlil Joseph, 2025, 110 mins)

November 20 & 22

Adapted from Kahlil Joseph's renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph's family, and even Twitter chats, in a vision for black consciousness.

Harpur Cinema Program
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for students w/ID, $4 for all others

BLKNWS: Terms and Conditions (Kahlil Joseph, 2025, 110 mins)

November 20 & 22

Adapted from Kahlil Joseph's renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph's family, and even Twitter chats, in a vision for black consciousness.

Jazz Nutcracker, through a series of kinetic dance performances, tells the story of a young girl named Clara who receives a nutcracker as a gift from her godfather, Drosselmeyer . The nutcracker comes to life and whisks Clara away to a fantasy dreamland, where she is treated to gifts and dances from representatives from across the globe.

Jazz Nutcracker, through a series of kinetic dance performances, tells the story of a young girl named Clara who receives a nutcracker as a gift from her godfather, Drosselmeyer . The nutcracker comes to life and whisks Clara away to a fantasy dreamland, where she is treated to gifts and dances from representatives from across the globe.

Jazz Nutcracker, through a series of kinetic dance performances, tells the story of a young girl named Clara who receives a nutcracker as a gift from her godfather, Drosselmeyer . The nutcracker comes to life and whisks Clara away to a fantasy dreamland, where she is treated to gifts and dances from representatives from across the globe.

Jazz Nutcracker, through a series of kinetic dance performances, tells the story of a young girl named Clara who receives a nutcracker as a gift from her godfather, Drosselmeyer . The nutcracker comes to life and whisks Clara away to a fantasy dreamland, where she is treated to gifts and dances from representatives from across the globe.

Mountains and Water: Traditions in East Asian Art

Mountains and water are at the heart of East Asian arts and culture. They form an essential framework for engaging with the natural world and understanding people’s place within it. This exhibition explores the wide-ranging significance, symbolism, and sacrality of mountains and water in China, Korea, and Japan. It considers landscapes and scholar’s stones as both scholastic objects of aesthetic consideration and supernatural sites of cosmic power.

Generous support and donations for this exhibition were provided by John C. Copoulos ’73.

All events are free and open to the public.

Capturing Music: Material Culture and Changing Notations in Medieval Music

Frames Within Frames: Intimacy through Visual Exchange 

Hands ON! Experiencing Art through Touch

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The Doo Wop Project will get everyone into the holiday spirit with old-school classics such as The Drifters' "White Christmas," The Temptations' "Rudolph the Red-Nosed Reindeer," and Frankie Valli and The Four Seasons' version of "Santa Claus Is Coming to Town," along with contemporary favorites such as "This Christmas" and "Last Christmas." It's sure to be a jolly good time! 

The dynamic Broadway stars of The Doo Wop Project are on a mission to put doo-wop music on everyone’s playlist. Backed by their smokin’ hot band, they capture the classic sound of the groups that—back in the day—harmonized on stoops, in subway stations, and on street corners. They have also created a unique, exciting, and fun way to “doo-wopify” today’s biggest hits, reimagining them as though they had been written in another era. Once you experience The Doo Wop Project live on stage, you’ll understand why audiences across the country call them “America’s premier doo-wop group.”